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Book to view Tavares Strachan: The Return

The Return marks the first solo exhibition on the African continent for Nassau-born, New York-based interdisciplinary conceptual artist Tavares Strachan. The show includes ceramics, which are being displayed in an exhibition context for the first time, as well as new paintings and locally created, handwoven tapestries – all of which have been made specifically for this presentation.

Over the past two decades, Strachan has formed a research-intensive practice that taps into art, science, history, and cultural critique with thematic investigations related to invisibility, displacement and loss.

Please note that prior booking will be required to view the exhibition.

BOOK HERE

Artist Carrie Mae Weems: ‘I want to invite you in’

Her photography has made profound statements about family, race and life in the US over the past 40 years

“When I walk into a room now in the US, people stand up and applaud,” says Carrie Mae Weems, in the rich warm voice that often provides a soundtrack to her work. “It seems like some critical generation has just emerged on the other side of the pandemic and Black Lives Matter, and I am exalted in some way that is beyond me.”

The American artist’s comments have more to do with forbearance than arrogance. Hers is a 40-year career, in which she has delivered exquisite bodies of work on charged subjects. Using photography, performance, film and sculpture, she has dug deep into the disparities of power, inequalities of gender and race and erosions of democracy in the US. Sometimes playing with found images, sometimes with herself as protagonist, the imagery she creates has inspired swaths of emerging practitioners, especially black artists.

“It seems I’ve grown in stature, although my work has been historically undervalued by the market and the institutions,” she says with some resignation, though the latter are playing hasty catch-up. “I wasn’t in collections for a long time, like 35 years, then somebody said . . . Oh!”

This summer, Weems has major exhibitions in both France and the UK. The Shape of Things has already opened at Luma, the lavish cultural centre established by philanthropist Maja Hoffmann in Arles. Reflections for Now comes to the Barbican Art Gallery in London on June 22. Perhaps we’ll finally get the message on this side of the pond, too: that Carrie Mae Weems deserves our fullest attention.

Read the full article here

A Week in Art Podcast: Grada Kilomba

Grada Kilomba speaks to Ben Luke on the occasion of the São Paulo biennial.

Listen here

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Contemporary African Royals, in Regalia and Complexity - featuring Kudzanai Chiurai

Posted 20 July 2023

Goodman Gallery New York Office and Viewing Room opens in September

Posted 24 August 2023

South Africa's Goodman Gallery expands to New York with an office and viewing room

Posted 31 August 2023

i-D: 10 galleries you should not miss at Frieze Seoul 2023, selected by art contributors

Posted 05 September 2023

Story and Symbol: Faith Ringgold and Hank Willis Thomas'

Posted 12 June 2023

Art Basel: Why the Upper East Side is one of the best places to see art in New York today

Posted 06 September 2023

Art Monthly | Alfredo Jaar

Posted 07 June 2023

‘Man In Black’: Cannes Review

Posted 26 May 2023

Reflecting on the continent, more than 300 works later with Leonardo Drew

Posted 07 June 2023

Five exhibitions to attend this Women’s History Month

Posted 27 March 2023

‘We are daring to invent the future’ — the generation that rewrote Africa’s story

Posted 13 March 2023

Ernest Cole’s photographs of 1960s South Africa during apartheid

Posted 13 March 2023

7 Leading Curators Predict the Defining Art Trends of 2023 featuring Ravelle Pillay

Posted 16 February 2023

Studio International | Ravelle Pillay: Idyll

Posted 31 March 2023

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