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Introducing Screening Room, Goodman Gallery's dedicated channel for viewing our latest films: watch artist interviews from the studio, go behind-the-scenes during exhibition installations, tune into conversations between artists and key cultural thinkers, and more.
In the Studio
Inside Sam Nhlengethwa's Johannesburg home studio, where jazz has infused the artist's practice for decades
Van den Berg reflects on his relationship to landscape and absence
Inside Pillay’s temporary London studio before the artist’s first institutional solo exhibition at Chisenhale
Sunstrum explores her Johannesburg exhibition with fellow artist Thenjiwe Niki Nkosi
Inside Masamvu’s Harare studio where the artist considers the responsibility of creating art today
My Body My Choice – Ghada Amer’s first solo show in London in twenty years. The exhibition brings together a new body of work, including Amer’s signature thread and canvas paintings as well as sculptures and a garden installation, never before realised in the UK
Sedira speaks with fellow artist Sue Williamson and critic Sean O’Toole on the occasion of the African premiere for ‘Dreams Have No Titles’ at The Labia Theatre in Cape Town
In the Studio
Inside Sunstrum’s new studio in The Hague
Inside Shonibare’s London studio, the artist creates a new body of work, expanding on his long-term interests in appropriation and hybrid identities to consider the hierarchical nature of culture in relation to Africa and to acknowledge the debt to Africa
Neshat reflects with culture writer, author and podcast host Farah Nayeri on the importance of women to political transformation - a belief that exists at the heart of the artist’s practice
On the occasion of Drew’s first exhibition on the African continent, the artist reflects on the importance of adapting to a space when creating site-specific work
Kilomba installs ’18 Verses’, a major sculptural installation alluding to the dramatic migrant routes that cross the Mediterranean waters today, echoing images, gestures and sounds that insinuate a sense of historical repetition
Kentridge on Dmitri Shostakovich’s Symphony No.10 as inspiration for an immersive five-channel projection about utopia, our wish for it and the shadow it always casts
Willis Thomas reflects on the historical significance of Ringgold’s practice and powerful influence on his work on the occasion of a joint exhibition in Cape Town
Breitz speaks with writer and curator Khanya Mashabela about Whiteface, a major work in which the artist draws attention to the constructed nature of whiteness
Ng’ok contemplates her painting process as a means for exploring the personal, psychological, political and spiritual dynamics of human interactions and relationships
For the exhibition, the artist continues to explore his interests in the experiential aspect of the body within space
IF IT CONCERNS US, IT CONCERNS YOU, chronicles the artist’s forty-year critique of the Western media
Goodman Gallery is pleased to present Tide and Seed, a solo exhibition by Ravelle Pillay and her first with the gallery
Between Memory and Forgetting is an exhibition that speaks about liberation struggles
Drawing, which is foundational in López’s practice, merges with selected materials to bring about different ideas
A unique opportunity to hear the South African artist and activist Sue Williamson in conversation with curator Nicoletta Lambertucci