Goodman Gallery Cape Town
29 November – 19 January 2019
For the third edition of South-South, Goodman Gallery presents Between Land and Sea – a programme of exhibitions, films, public discussions and adjacent projects realised across Johannesburg and Cape Town.
Concurrent solo exhibitions by Alfredo Jaar and Ernesto Neto anchor this iteration of South-South alongside recent works by Laura Lima in the Johannesburg viewing room and a group show in the Cape Town project space featuring work by Sue Williamson, El Anatsui and Kapwani Kiwanga. The film programme, co-curated by Paula Borghi and Lara Koseff, will run in Cape Town alongside the launch of a new publication documenting the previous South-South, Let me begin again , edited by curator Koseff and co-curator Renato Silva.
Between Land and Sea emerges in response to the practices of these artists who explore constructions of social space and the natural world, freedom of movement, the real and the imagined spaces between continents and the limits and ethics of representation. The sea has long been deployed in the arts as a metaphor for a ‘non-place’ and as a gateway to the transcendental and transformational. The sea is figured as a ‘zone of exception’ that constitutes and contests the hegemonic geographies of place. It marks an edge in the form of a horizon, beyond which imaginaries exist. It is a connector of continents, serving ancestral voyages, trade, exploration and exploitation – a pathway that has integrated cultures throughout history.
Kapwani Kiwanga (b. Hamilton, Canada) lives and works in Paris. Kiwanga studied Anthropology and Comparative Religion at McGill University in Montreal and Art at l’école des Beaux-Arts de Paris.
In 2020, Kiwanga received the Prix Marcel Duchamp (FR). She was also the winner of the Frieze Artist Award (USA) and the annual Sobey Art Award (CA) in 2018.
Solo exhibitions include Haus der Kunst, Munich (DE); Kunstinstituut Melly – Center for Contemporary Art, Rotterdam (NLD); Kunsthaus Pasquart, Biel/Bienne (CHE); MIT List Visual Arts Center, Cambridge (USA); Albertinum museum, Dresden (DE); Artpace, San Antonio (USA); Esker Foundation, Calgary (CA); Tramway, Glasgow International (UK); Power Plant, Toronto (CA); Logan Center for the Arts, Chicago (USA); South London Gallery, London (UK); and Jeu de Paume, Paris (FR) among others.
Selected group exhibitions include Whitechapel Gallery, London (UK); Serpentine Galleries, London (UK); Yuz Museum, Shanghai (CHN); MOT – Museum of Contemporary Art Tokyo (JPN); Museum MMK für Moderne Kunst, Frankfurt (DE); Museum of African Contemporary Art Al Maaden – MACAAL, Marrakech (MAR); National Gallery of Canada, Ottawa (CA); Contemporary Arts Museum, Houston (USA); Hammer Museum, Los Angeles (USA); Centre Pompidou, Paris (FR); Musée d’art contemporain de Montréal, Montreal (CA); ARoS Aarhus Art Museum, Aarhus (DK) and MACBA, Barcelona (ESP).
She is represented by Galerie Poggi, Paris; Goodman Gallery, Johannesburg, Cape Town and London; galerie Tanja Wagner, Berlin.
Kapwani Kiwanga is a Franco-Canadian artist based in Paris. Kiwanga’s work traces the pervasive impact of power asymmetries by placing historic narratives in dialogue with contemporary realities, the archive, and tomorrow’s possibilities.
Her work is research-driven, instigated by marginalised or forgotten histories, and articulated across a range of materials and mediums including sculpture, installation, photography, video, and performance.
Kiwanga co-opts the canon; she turns systems of power back on themselves, in art and in parsing broader histories. In this manner Kiwanga has developed an aesthetic vocabulary that she described as “exit strategies,” works that invite one to see things from multiple perspectives so as to look differently at existing structures and find ways to navigate the future differently.
El Anatsui (b. 1944, Ghana) is an internationally acclaimed artist who transforms simple materials into complex assemblages that create distinctive visual impact. Anatsui uses resources typically discarded such as liquor bottle caps and cassava graters to create sculptures that defy categorisation. Anatsui’s use of these materials reflects his interest in reuse, transformation, and an intrinsic desire to connect to his continent while transcending the limitations of place. His work interrogates the history of colonialism and draws connections between consumption, waste and the environment. But at the core of Anatsui’s work is his unique formal language that distinguishes his practice.
Anatsui is well-known for large scale sculptures composed of thousands of folded and crumpled pieces of metal sourced from local alcohol recycling stations and bound together with copper wire. These intricate works, which can grow to be massive in scale, are both luminous and weighty, meticulously fabricated yet malleable. He leaves the installations open and encourages the works to take different forms every time they are installed.
In 2015, Anatsui was awarded the Golden Lion for Lifetime Achievement, the Venice Biennale’s highest honour. Anatsui’s solo exhibition Gravity and Grace: Monumental Works by El Anatsui, was organized by the Akron Art Museum, Akron, Ohio (2012), and travelled to the Brooklyn Museum, New York and the Des Moines Art Center, Iowa (2013); then to the Bass Museum of Art in Miami, Florida (2014); and concluded at the Museum of Contemporary Art in San Diego, California (2015). In 2019, El Anatsui: Triumphant Scale, a major career survey curated by Okwui Enwezor, opened at Haus der Kunst and travelled to Mathaf: Arab Museum of Modern Art in Doha, Kunstmuseum Bern and Guggenheim Bilbao in 2020.
Anatsui currently lives and works between Ghana and Nigeria.
Sue Williamson (b. 1941, Lichfield, UK) emigrated with her family to South Africa in 1948. In the 1970s, Williamson started to make work which addressed social change and by the late 1980s she was well known for her series of portraits of women involved in the country’s political struggle, titled A Few South Africans (1980s).
Major international solo exhibitions include: Can’t Remember, Can’t Forget at the Apartheid Museum in Johannesburg (2017); Other Voices, Other Cities at the SCAD Museum of Art in Georgia, USA (2015), Messages from the Moat, Den Haag, Netherlands (2003) and The Last Supper Revisited (2002) at the National Museum of African Art, Smithsonian Institute in Washington D.C. Williamson has participated in biennales around the world, including the Kochi Muziris Biennale (2019); several Havana Biennales as well as Sydney, Istanbul, Venice and Johannesburg biennales. Group exhibitions include, Resist: the 1960s Protests, Photography and Visual Legacy (2018) at BOZAR in Brussels; Women House (2017, 2018) at La Monnaie de Paris and National Museum for Women in the Arts (Washington D.C); Citizens: Artists and Society Tate Modern, London; Being There (2017) at Fondation Louis Vuitton (Paris) and Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life (2014) at the International Centre for Photography New York and the Museum Africa (Johannesburg), curated by Okwui Enwezor, and The Short Century (2001-2) also curated by Okwui Enwezor, Museum Villa Stuck, Munich, House of World Cultures, Berlin, Museum of Contemporary Art, Chicago, and P.S.1 New York.
Williamson’s works feature in museum collections, ranging from the Museum of Modern Art (New York), Tate Modern (London), Victoria & Albert Museum (London), Pompidou Centre, (Paris), Hammer Museum, (Los Angeles) to the National Museum of African Art, Smithsonian Institution (Washington D.C), Iziko South African National Gallery (Cape Town) and the Johannesburg Art Gallery (Johannesburg). Williamson has authored two books - South African Art Now (2009) and Resistance Art in South Africa (1989). In 1997, Williamson founded www.artthrob.co.za, a leading website on South African contemporary art and the first of its kind in the country. Awards and fellowships include The Living Legends Award (2020), attributed by the South African government’s Department of Sports, Arts and Culture; the University of Johannesburg’s Ellen Kuzwayo Award (2018); the Rockefeller Foundation’s Bellagio Creative Arts Fellowship (2011); the Smithsonian’s Visual Artist Research Award Fellowship (2007) and the Lucas Artists Residency Fellowship (2005) from Montalvo Art Center in California.
Williamson lives and works in Cape Town, South Africa.