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IN CONTEXT | Standing in the gap

02 April - 08 May 2024
Goodman Gallery, London

Standing in the Gap marks the first IN CONTEXT exhibition hosted by Goodman Gallery London – a curatorial strand in the gallery programme which considers the dynamics and tensions of place, with particular connection to the African Continent and its Diaspora. The series has introduced international artists from Joël Andrianomearisoa to Kader Attia, Wangechi Mutu to Mickalene Thomas to South African audiences and memorably included “Africans in America” (2016) co-curated by Hank Willis Thomas and Liza Essers, held concurrently with the Johannesburg iteration of the renowned international conference series BLACK PORTRAITURE[S].

Standing in the gap considers a group of artists and artworks making suppressed histories visible across a range of practices and generations, filling in the gaps where things were once omitted. Weaving narrative with a blend of fact and fiction they imagine different histories and speculate on the future. They are interested in the footnotes, marginalia and on connections yet to be made. Works range from iconic works from 1970s and 1980s by Faith Ringgold through to recent and new works created from 2021-2023 by burgeoning artists Nolan Oswald Dennis, Pamela Phatsimo Sunstrum and Ravelle Pillay.

Faith Ringgold’s soft sculptures were created during the early 1970s during a heightened political period when Ringgold instigated performances as an activist and campaigner for Women’s Rights. In 1983, Faith Ringgold created four abstract paintings which she named the Dah series. Up to this point, Ringgold’s works concerned specific people and issues, but the works from this period suggest an alternative language which the artist described as ‘painting the inside of my head.’

Artworks

Laminated digital print on iron plate, aluminium frame, ethernet cables and magnets
Acrylic on canvas
Work: 287 x 114.3 cm
Mixed media
Work: 182.9 x 63.5 x 27.9 cm
Unavailable
Wood, acrylic paint and brass
Work: 51.7 x 31 cm
Hand painted wooden mask
Work: 43 x 26 x 16 cm
26 panels; collage, vinyl, enamel, neon, moab paper, mounted on Sintra
Work: 61 x 91.4 cm
Crayon, pencil, and oil on 4 wood panels:
Work: 150 x 140 x 3 cm
Mixed media including contemporary African National flags
Unframed: 151.1 x 151.1 cm
Archival Pigment print
Work: 152.4 x 213.4 cm
Archival Pigment print
Work: 152.4 x 213.4 cm
Oil on canvas
Unavailable

About

Ravelle  Pillay image

Ravelle Pillay

Ravelle Pillay (b.1993, Durban, South Africa) is a painter who considers the legacies of colonialism and migration, and their subsequent hauntings and reverberations in the present. She draws from found and family photographs and the material degradation of images over time to consider agency, memory, and life-making.

Pillay’s first institutional show, Idyll, opened at Chisenhale Gallery, London in 2023. This followed a residency at Gasworks London at the end of 2022.

Group exhibitions include: Silence Calling from One Continent to Another, Goodman Gallery, (2021) and (Un)Natural : Constructed Environments at the Nasher Museum of Art (2023-2024). Pillay’s work will also be included in the exhibition Soulscapes, which opens at the Dulwich Picture Gallery, London in February 2024.

Pillay is the first prize recipient of the 2022 African Art Galleries Association’s Emerging Painting Invitational. Pillay received a degree in Fine Art from the University of the Witwatersrand in 2015.

She lives and works in Johannesburg.

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Hank  Willis Thomas image

Hank Willis Thomas

Hank Willis Thomas (b. 1976, New Jersey, United States) is a conceptual artist working primarily with themes related to perspective, identity, commodity, media, and popular culture.

Thomas has exhibited throughout the United States and abroad including the International Center of Photography, New York; Guggenheim Museum Bilbao, Spain; Musée du quai Branly, Paris; Hong Kong Arts Centre, Hong Kong, and the Witte de With Center for Contemporary Art, Netherlands.

Thomas’ work is included in numerous public collections including the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Brooklyn Museum, New York; High Museum of Art, Atlanta, and National Gallery of Art, Washington D.C.

His collaborative projects include Question Bridge: Black Males, In Search Of The Truth (The Truth Booth), Writing on the Wall, and the artist-run initiative for art and civic engagement For Freedoms, which in 2017 was awarded the ICP Infinity Award for New Media and Online Platform. Thomas is also the recipient of the Gordon Parks Foundation Fellowship (2019), the Guggenheim Foundation Fellowship (2018), Art for Justice Grant (2018), AIMIA | AGO Photography Prize (2017), Soros Equality Fellowship (2017), and is a member of the New York City Public Design Commission. Thomas holds a B.F.A. from New York University (1998) and an M.A./M.F.A. from the California College of the Arts (2004). In 2017, he received honorary doctorates from the Maryland Institute of Art and the Institute for Doctoral Studies in the Visual Arts.

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Kudzanai Chiurai image

Kudzanai Chiurai

Kudzanai Chiurai (b. 1981, Harare, Zimbabwe) is a multidisciplinary artist exploring notions and cycles of political, economic, and social strife present in post-colonial societies. His work interrogates urgent social issues, such as xenophobia, exile, displacement, the psychological experiences of urban spaces, as well as the Western imprint on Africa.

In 2024, Chiurai’s film We Live in Silence (Chapters 1 – 7) was on view as part of the main exhibition at the 60th Venice Biennale Stranieri Ovunque – Foreigners Everywhere, curated by Adriano Pedrosa. In 2023, photographs from the artist’s We Live in Silence series were part of A World in Common: Contemporary African Photography, at TATE Modern curated by Osei Bonsu.

In 2013, Chiurai’s Conflict Resolution series was exhibited at DOCUMENTA (13) (2012) in Kassel and the film Iyeza was one of the few African films to be included in the New Frontier shorts programme at the Sundance Film Festival.

Chiurai’s project, The Library of Things We Forgot to Remember, is built around his collecting practice which focuses on preserving archives and memorialising social and cultural history from southern Africa. The project exists in the form of an archive of materials situated in Johannesburg including vinyls, posters, paintings and more, drawn from private African collections. Each time this archive is exhibited, Chiurai invites a different librarian to interrogate the archive and curate an exhibition.

Solo exhibitions include: Genesis [Je n’isi isi], We Live in Silence, IFA, Stuttgart (2019); Madness and Civilization, Kalmar Konsmuseum, Sweden (2018); Now and Then: Guercino and Kudzanai Chiurai, Zeitz MOCAA, Cape Town (2018); and Regarding the Ease of Others, Zeitz MOCAA, Cape Town (2017).

Group shows include: FLIGHT, Malmö Konsthall, Sweden (2023); Ubuntu, a Lucid Dream, Palais de Tokyo, Paris (2020); Art/Afrique, Le nouvel atelier, Fondation Louis Vuitton, Paris (2017); The Divine Comedy: Heaven, Purgatory and Hell Revisited, Museum für Moderne Kunst, Frankfurt (2014) and travelled to the SCAD Museum of Art, Savannah (2015); Figures & Fictions: Contemporary South African Photography, Victoria and Albert Museum, London (2011); and Impressions from South Africa, 1965 to Now, Museum of Modern Art, New York (2011).

Collections include: Museum of Modern Art, New York; Hessel Museum of Art, Bard College, Annandale-On-Hudson; Pérez Art Museum Miami, Miami; Pigozzi Collection, Geneva; Walther Collection, New York; and Zeitz Museum of Contemporary Art Africa, Cape Town.

Chiurai lives and works in Harare, Zimbabwe.

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Nolan Oswald Dennis image

Nolan Oswald Dennis

Nolan Oswald Dennis (b. 1988, Lusaka, Zambia) is a para-disciplinary artist from Johannesburg, South Africa. Their practice explores what they call ‘a black consciousness of space’: the material and metaphysical conditions of decolonization. Dennis’ work questions the politics of space (and time) through a system-specific, rather than site-specific approach. They are concerned with the hidden structures that pre-determine the limits of our social and political imagination. Through a language of diagrams, drawings and models they explore a hidden landscape of systematic and structural conditions that organise our political sub-terrain.

In 2024, Dennis designed the ‘Traces of Ecstasy’ pavilion and exhibition project for the Lagos Biennial in Tafawa Balewa Square. An adapted version of this project was on view at the Institute for Contemporary Art at Virginia Commonwealth University in the same year. Dennis was also shortlisted for the Future Generation Art Prize 2023/24.

Dennis was the 2020 artist in residence at NTUCCA (Singapore) and the 2021 artist in residence at the Delfina Foundation (London). They were awarded the FNB Arts Prize in 2016. They are a founding member of artist groups NTU and the Index Literacy Program, as well as a research associate at the VIAD research centre at the University of Johannesburg.

Solo shows include: UNDERSTUDIES, Zeitz MOCAA, Cape Town (2024); Nolan Oswald Dennis, Goodman Gallery, Johannesburg (2023); Positions #7, Van Abbemuseum, Eindhoven, the Netherlands (2023); models (from a black planetarium), Centre d’Art Neuchâtel, Neuchâtel, Switzerland (2022); Specifications for a Reverse Archaeology, The Javett Art Centre at the University of Pretoria (2022-2023); conditions, Goodman Gallery, Cape Town (2021); Options, Goodman Gallery, Cape Town, (2019).

Group shows and biennales include: Black Ancient Futures, Museum of Art, Architechture and Technology, Lisbon (2024); back wall project, Kunsthalle Basel (2024); 12th Seoul Mediacity Biennale (2023); the 12th Liverpool Biennial (2023), Frieze, Seoul (2023); the Young Congo Biennale (2019), Museu d’Art Contemporani de Barcelona, MACBA (2018); Palais de Tokyo, Paris; ARoS Aarhus, Denmark; 9th Berlin Biennale (2016); Poetics of Relation, LIYH, Geneva (2015).

Collections include: A4 Arts Foundation Cape Town, South Africa and the Van Abbemuseum, Eindhoven, The Netherlands.

Dennis lives and works in Johannesburg, South Africa.

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