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David Goldblatt / The Pursuit of Values

21 October - 05 December 2015

In this 2015 retrospective exhibition, curator Neil Dundas of the Goodman Gallery took the opportunity “to examine how Goldblatt’s life’s work has explored and expressed the values of South Africa and its peoples”. The Pursuit of Values included photographs from Goldblatt’s twin projects, South Africa – The Structure of Things Then and Structures of Dominion and Democracy, as well as a number of images that had not previously been exhibited or published.

For almost seven decades, Goldblatt has been paying fastidious attention to South Africans: their individual stories and collective histories, their homes, their journeys, their workplaces. While he never shied away from the grim realities of apartheid – on the contrary, he captured these on film so that they could become more widely known – Goldblatt also sought and found moments of redemption, sympathy and even humour. Over the last twenty years his camera has been trained on the paradoxes of development and decay, liberty and instability, opportunity and chaos in post-apartheid (or, as some have described it, “neo-apartheid”) South Africa.

The Pursuit of Values was exhibited at at the Standard Bank Gallery in Johannesburg from 21 October to 5 December, 2015.

Artworks

Digital print in pigment inks on 100% cotton rag paper
Unavailable
Digital print in pigment inks on 100% cotton rag paper
Unavailable
Digital print in pigment inks on 100% cotton rag paper
Unavailable
Digital print in pigment inks on 100% cotton rag paper
Unavailable
Carbon ink print on Hahnemuhle 315gsm
Image: 30 x 30 cm
Unavailable
Carbon ink print on Hahnemuhle 315gsm
Image: 30 x 30 cm
Unavailable
Carbon Ink on Hahnemuhle 315gsm
Image: 29.9 x 29.9 cm
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Unavailable
Demonstration print
A0
Unavailable
Silver gelatin on fibre based paper
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Unavailable
Silver gelatin photograph on fibre-based paper (Dibonded)
Image: 40 x 40 cm
Unavailable
Silver gelatin photograph on fibre-based paper (Dibonded)
Image: 40 x 40 cm
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Unavailable
Silver gelatin on fiber based paper, backed onto dibond
approx. 98 x 120 cm
Unavailable
Silver gelatin on fiber based paper, backed onto dibond
approx. 98 x 120 cm
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Silver gelatin photograph on fibre-based paper
Frame: 50.5 x 65 x 3 cm Paper: 40 x 51 cm Image: 30 x 40 cm
Unavailable
Silver gelatin photograph on fibre-based paper
Frame: 50.5 x 65 x 3 cm Paper: 40 x 51 cm Image: 30 x 40 cm
Unavailable
Silver gelatin photograph on fibre-based paper (Diabonded)
Paper: 42.5 x 42.5 cm
Carbon ink print on Hahnemuhle 315gsm
Image: 30 x 30 cm
Unavailable
Carbon ink on Hahnemuhle 315gsm
Image: 29.9 x 29.9 cm
Unavailable
Silver gelatin photograph on fibre-based paper (Diabonded)
50 x 50cm
Carbon ink print on Hahnemuhle 315gsm
Image: 30 x 30 cm
Unavailable
Carbon Ink on Hanemuhle 315gsm
Image: 29.9 x 29.9 cm
Unavailable
Carbon Ink on Hahnemuhle 315gsm
Image: 29.9 x 29.9 cm
Unavailable
Silver gelatin print on fibre-based paper
Image: 40 x 39.8 cm
Unavailable
Silver gelatin print on fibre-based paper
Image: 40 x 39.8 cm
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Silver gelatin photograph on fibre-based paper (Diabonded)
Work: 42.5 x 42.5 cm
Silver gelatin photograph on fibre-based paper (Diabonded)
Work: 42.5 x 42.5 cm
Carbon Ink on Hahnemuhle 315gsm
Image: 29.9 x 45.2 cm
Unavailable
Carbon Ink on Hahnemuhle 315gsm
approx. 30 x 40cm
Unavailable
Carbon ink print on Hahnemuhle 315gsm
Image: 30 x 30 cm
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Unavailable
Silver gelatin photograph on fibre-based paper
24 x 17cm
Unavailable
Silver gelatin photograph on fibre-based paper
24 x 17cm
Unavailable
Silver gelatin print on fibre-based paper, dibonded
Image: 30 x 45 cm
Carbon Ink on Hahnemuhle 315gsm
Image: 29.9 x 29.9 cm
Unavailable
Silver gelatin photograph on fibre-based paper
approx. 30 x 40cm
Unavailable
Carbon ink print on Hahnemuhle 315gsm
Paper: 48 x 33 cm Image: 44.5 x 29.5 cm Frame: 61.5 x 46 cm
Unavailable
Carbon ink print on Hahnemuhle 315gsm
Paper: 48 x 33 cm Image: 44.5 x 29.5 cm Frame: 61.5 x 46 cm
Unavailable
Silver gelatin photograph on fibre-based paper, backed onto dibond
Work: 40.5 x 28 cm
Unavailable
Silver gelatin print on fibre-based paper, dibond
50 x 50cm
Silver gelatin photograph on fibre-based paper - dibonded
A0
Unavailable
Silver gelatin photograph on fibre-based paper
F:57 x 43.5cm P:22 x 33cm
Unavailable
Silver gelatin photograph on fibre-based paper
F:57 x 43.5cm P:22 x 33cm
Unavailable

About

David Goldblatt image

David Goldblatt

David Goldblatt (1930 – 2018) was born in Randfontein, a small mining town outside of Johannesburg, South Africa. Through his lens, South African he chronicled the people, structures and landscapes of his country from 1948, through the rise of Afrikaner Nationalism, the apartheid regime and into the democratic era – until his death in June, 2018. In particular, Goldblatt documented the people, landscapes and industry of the Witwatersrand, the resource-rich area in which he grew up and lived, where the local economy was based chiefly on mining. In general, Goldblatt’s subject matter spanned the whole of the country geographically and politically from sweeping landscapes of the Karoo desert, to the arduous commutes of migrant black workers, forced to live in racially segregated areas. His broadest series, which spans six decades of photography, examines how South Africans have expressed their values through the structures, physical and ideological, that they have built.

In 1989, Goldblatt founded the Market Photography Workshop, a training institution in Johannesburg, for aspiring photographers. In 1998 he was the first South African to have a solo exhibition at the Museum of Modern Art in New York. In 2001, a retrospective of his work, David Goldblatt Fifty-One Years began a tour of galleries and museums. He was one of the few South African artists to exhibit at Documenta 11 (2002) and Documenta 12 (2007) in Kassel, Germany. He has held solo exhibitions at the Jewish Museum and the New Museum, both in New York. His work was included in the exhibition ILLUMInations at the 54th Venice Biennale in 2011, and has featured on shows at the San Francisco Museum of Modern Art and Barbican Centre in London. In 2017, Goldblatt installed a series of portraits from his photographic essay Ex-Offenders in former prisons in Birmingham and Manchester. The portraits depict men and women, from South African and the UK, at the scene of their crimes, with accompanying texts that relate the subjects’ stories in their words. In the last year of his life, two major retrospectives were opened at Centre Pompidou in Paris, and the Museum of Contemporary Art in Sydney. The Goldblatt Archive is held by Yale University, in New Haven, Connecticut.

Goldblatt is the recipient of the 2006 Hasselblad award, the 2009 Henri Cartier-Bresson Award, the 2013 ICP Infinity Award and in 2016, he was awarded the Commandeur des Arts et des Lettres by the Ministry of Culture of France.

Download full CV