Subscribe to our newsletter for our must-see exhibitions, artists, events and more here
Shop William Kentridge Prints here

The Night Show: a group exhibition in three parts / 2011

31 March - 30 April 2011

EXHIBITION (PART ONE): 31 MARCH – 13 APRIL EXHIBITION (PART TWO) & THE NIGHT SHOW EVENT: WEDNESDAY 13 APRIL AT 18H00 EXHIBITION (PART THREE): 14 APRIL – 30 APRIL

STUART BIRD | NASTASHA BURATOVICH | IAN GROSE | GUGULECTIVE | MATTHEW KING | ROSE KOTZE | GERALD MACHONA | KYLE MORLAND | MUSA NXUMALO | JODY PAULSEN | MONIQUE PELSER | JEANNIE ROUX | SIYA | SAFIA STODAL | LINDA STUPART | ZACH TALJAARD | HUGH UPSHER

The night is traditionally considered a temporal condition, or a time of obscurity. A shedding space where defined personas, highly regulated by the brilliant contrast of daylight and its custodians, give way to concealed and ambiguous forms. This shedding is also manifested in the buildings and structures of the city as the sun goes down. This April, Goodman Gallery Cape is proud to present a group exhibition staged in three parts that aims to explore some of the themes introduced by the night, as well as to re-imagine gallery space, stripped of its daytime persona.

Artworks

Graphite on cotton rag
60 x 100 cm
Unavailable
Oil on paper
26.4 x 25.5 cm
Unavailable
Oil on paper
22.4 x 20.4 cm
Unavailable
Lightfast pigment Inks on Cotton Rag Baryta Paper
79 x 213.8 cm
Unavailable
Oil on cotton rag
325 x 306 mm
Unavailable
Graphite on cotton rag
60 x 100 cm
Unavailable
Wood and wire
167x 66.5 cm
Unavailable
photocopied paper, picture frames
variable
Unavailable
Oil on cotton rag
370 x 313 mm
Unavailable
Oil on cotton rag
347 x 270 mm6
Unavailable
Pigment inks on cotton rag
54 x 72 cm
Unavailable
Pigment inks on cotton rag
54 x 72 cm
Unavailable
Digital photo frames
3 x 8 x 10 inches each
Unavailable
Oil on cotton rag
334 x 269 mm
Unavailable
Pigment inks on cotton rag
54 x 72 cm
Unavailable
Digital photo frames
3 x 8 x 10 inch each
Unavailable
Oil on cotton rag
286 x 261 mm
Unavailable
Crysta-cal, found objects and enamel paint
280 x 60 x 60 cm
Unavailable
Gouache on Fabriano
70 x 50 cm
Unavailable
Wood, netting, elastic and staples
250 x 280 cm
Unavailable
Concrete
100 x 100 x 100cm
Unavailable
Oil on paper
22.4 x 20.4 cm
Unavailable
Remnants of performance
Unavailable
photocopied paper and picture frames
variable
Unavailable
Pine
130 x 130 cm
Unavailable
Oil on cotton rag
342 x 296 mm
Unavailable
Glowsticks
variable
Unavailable

About

Gerald Machona image

Gerald Machona

Gerald Machona is a Zimbabwean born Visual artist with a Master’s Degree in Fine Art from Rhodes University and a Bachelor’s degree from the University of Cape Town, completed at the Michaelis School of fine art. Machona’s work has been included on several prominent international exhibitions, which include the South African Pavilion at the 56th Venice Biennale in Italy, All the World’s Futures and at the 20th Biennale of Sydney, The future is already here – it’s just not evenly distributed. Machona’s work has also appearedin exhibitions at the Brooklyn Museum in New York and at the Zeitz Museum of Contemporary Art Africa in Cape Town.

Machona works with sculpture, performance, new media, photography and film. The most notable aspect of his work is his innovative use of currency—particularly decommissioned Zimbabwean dollars—as an aesthetic material. Machona’s current work engages with issues of migration, transnationalism, social interaction and xenophobia in Africa.

In 2013, Machona featured in Mail and Guardian’s 200 Young South African’s supplemental and was selected by Business Day and the Johannesburg Art Fair in 2011 as one of the top ten young African artists practicing in South Africa. In 2019 Machona was included on the group exhibition Still Here Tomorrow to High Five You Yesterday at Zeitz MOCAA in Cape Town.

Download full CV