Naama Tsabar

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Transition

2016 Wood, canvas, cables, disassembled Galaxy Audio PA6BT Hot Spot powered speaker: knobs, wires, circuit board, ports, speaker Work: 130.8 x 153 x 16.5 cm Available on Request Add to My Selection

Closer

2014 Wood, metal, microphones stands, tuners and guitar strings Work: 274.3 x 138.4 x 138.4 cm Available on Request Add to My Selection

Work On Felt (Variation 7), Black

2015-2016 Carbon fiber, epoxy, wood, felt, microphone, guitar amplifier Work: 190.5 x 166.4 x 90.2 cm

Work on Felt (Variation 8), Bordeaux

2016 Industrial felt, carbon fiber, epoxy, wood, guitar tuner, piano string and amplifier Work: 190.5 x 166.4 x 90.2 cm

Work on Felt (Variation 8), Bordeaux

2016 Industrial felt, carbon fiber, epoxy, wood, guitar tuner, piano string and amplifier Work: 190.5 x 166.4 x 90.2 cm

About

Naama Tsabar’s practice fuses elements from sculpture, music, performance and architecture. Her interactive works expose hidden spaces and systems, reconceive gendered narratives, and shift the viewing experience to one of active participation. Tsabar draws attention to the muted and unseen by propagating sound through space and sculptural form. Between sculpture and instrument, form and sound, Tsabar’s work lingers on the intimate, sensual and corporeal potentials within this transitional state. Collaborating with local communities of female identifying and gender non-conforming performers, Tsabar writes a new feminist and queer history of mastery.

Naama Tsabar (b. 1982, Israel) lives and works in New York. She received her MFA from Columbia University in 2010. Solo exhibitions and performances of Tsabar have been presented at the Solomon R. Guggenheim Museum (New York), Museum of Art and Design (New York), The High Line Art (New York), Nasher Museum (Durham, NC), Kunsthaus Baselland (Switzerland), Palais De Tokyo (Paris), Prospect New Orleans, Tel Aviv Museum of Art, The Herziliya Museum for Contemporary Art in Israel, MARTE-C (El Salvador), CCA Tel Aviv (Israel), Faena Buenos Aires, Frieze Projects New York, Kasmin (New York), Paramo Gallery (Guadalajara), Dvir Gallery (Israel and Brussels), Spinello Projects (Miami) Shulamit Nazarian (Los Angeles). Selected group exhibitions featuring Tsabar’s work include, The Andy Warhol Museum, The Jewish Museum of Belgium, Ballroom Marfa, Schirn Kunsthalle in Frankfurt, Elevation 1049 Gstaad (Switzerland), TM Triennale, Hasselt Genk, Belgium, ‘Greater New York’ 2010 at MoMA PS1, Museum Dhondt-Dhaenens (Belgium), The Bucharest Biennale for Young Artists, Hessel Museum of Art at CCS Bard, Casino Luxembourg (Luxembourg), ExtraCity in Antwerp (Belgium). Tsabar’s work has been featured in publications including ArtForum, Art In America, ArtReview, ARTnews, The New York Times, New York Magazine, Frieze, Bomb Magazine, Art Asia Pacific, Wire, and Whitewall, among others.

Tsabar’s work is held in the permanent collections of the Los Angeles County Museum of Art, Solomon R. Guggenheim Museum, Pompidou Centre, Seattle Art Museum, San Francisco Museum of Modern Art, The Bass Museum, PAMM, Kadist Collection, Jimenez-Colón Collection, Tel Aviv Museum, Israel Museum, and Coleccion Dieresis.

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Exhibitions

'the moon is not the sun at night'

05 January - 30 January 2022

Naama Tsabar | Transitions #5

12 October - 13 November 2021

Soft Architectures

28 November - 16 January 2020

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News

Naama Tsabar | MATRIX 189

Posted 14 July 2022

Naama Tsabar | Solo Exhibition | Bass Museum, Miami, USA

Posted 10 November 2021

Hank Willis Thomas & Naama Tsabar | Group Exhibition | Ballroom Marfa (Texas)

Posted 02 November 2020

Press

Artforum: Talk to me

Art Radar: ‘Stream’ of sound - breaching borders with Naama Tsabar at Kunsthaus Baselland

Bomb: Sculpture and Sound: Naama Tsabar Interviewed by Naomi Lev

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