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Walter Oltmann: Metamorphosis | The Norval Foundation

14 November - 14 August 2024
Goodman Gallery, Cape Town

Everything reveals itself in time. Metamorphosis is the act of becoming and transformation: From egg to pupa to moth or beetle; from embryo to foetus, to child to wedding gown and dress suit, and then, to shroud. Oltmann’s work celebrates such magical and seamless transformations in the world, and in his wire-weaving processes creates metamorphoses of his own.

Artworks

Anodized aluminium wire and spray paint
Variable Dimensions - approx,: 205 x 400 x 50 cm
Aluminium wire; constructed from eight sections
Work: 265 x 210 x 150 cm
Aluminium wire
Work: 220 x 150 x 110 cm
Anodized aluminium wire and spray paint
Unavailable
Anodized aluminium wire, brass rods and plastic beads
Work: 140 x 85 x 70 cm
Anodized aluminium wire and enamel paint,
Anodized aluminium wire, brass rods and plastic beads
Unavailable
Anodized aluminium wire, spray paint and plastic beads
Unavailable
Anodized aluminium wire, brass rods and plastic beads
Aluminium wire and plastic beads

About

Walter Oltmann image

Walter Oltmann

Walter Oltmann (born 1960, South Africa) is a practicing artist who lives and works in Johannesburg. He obtained a BA Fine Arts degree from the University of Natal, Pietermaritzburg (1981), and an MA Fine Arts degree (1985) and PhD in Fine Arts degree (2017) from the University of the Witwatersrand, Johannesburg. He taught in the Fine arts department at the University of the Witwatersrand from 1989 to 2016.

Oltmann has an extensive record of creative work produced since the early 1980s, including a number of public commissions. Since the 1980s he has developed an interest in the relationship between fine art and craft. In his own practice he employs hand-fabricated processes of making and has researched wire craft traditions in southern Africa. His sculptural works are executed by way of weaving in wire and using handcrafting methods that reference African and Western traditions of weaving. He is deeply interested in the influence of craft traditions in contemporary South African art.

In his artworks Oltmann makes connections to domestic textile practices and explores such forms of making in evoking fragility and the passage of time. He often combines aspects of decorative ornament with subject matter that seems somewhat contradictory or disturbing in relation to handcrafted embellishment.

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