William Kentridge / Preparing The Flute / 2005

William Kentridge / Preparing The Flute / 2005
04 June - 16 July 2005
Installation View
William Kentridge / Preparing The Flute / 2005
04 June - 16 July 2005
Installation View
William Kentridge / Preparing The Flute / 2005
04 June - 16 July 2005
Installation View
William Kentridge / Preparing The Flute / 2005
04 June - 16 July 2005
Installation View
William Kentridge / Preparing The Flute / 2005
04 June - 16 July 2005
Installation View
William Kentridge / Preparing The Flute / 2005
04 June - 16 July 2005
Installation View
William Kentridge / Preparing The Flute / 2005
04 June - 16 July 2005
Installation View
William Kentridge / Preparing The Flute / 2005
04 June - 16 July 2005
Installation View
William Kentridge / Preparing The Flute / 2005
04 June - 16 July 2005
Installation View

William Kentridge

Drawing from ‘Preparing the Flute’, 2004/05 Charcoal and pastel on paper 80 x 236 cm

William Kentridge

Drawing from ‘Preparing the Flute’, 2004/05 Charcoal and pastel on paper 120 x 160 cm

William Kentridge

Drawing from ‘Preparing the Flute’, 2004/05 Charcoal and pastel on paper 68 x 112 cm

William Kentridge

Drawing from 'Preparing the Flute' , 2004/ 05 74 x 482cm Charcoal & pastel on paper

William Kentridge

Drawing from ‘Preparing the Flute’ , 2004/05 Charcoal and pastel on paper Diameter – 150 cm

William Kentridge

Drawing from ‘Preparing the Flute’ , 2004/05 Charcoal and pastel on paper 236 x 80 cm

William Kentridge

Drawing from ‘Preparing the Flute’, 2004/05 Charcoal and pastel on paper 120 x 160 cm

William Kentridge

Drawing from ‘Preparing the Flute’ , 2004/05 Charcoal and pastel on paper 80 x 120cm

William Kentridge

Drawing from ‘Preparing the Flute’, 2004/05 Charcoal and pastel on paper 50 x 64 cm

William Kentridge

Drawing from ‘Preparing the Flute’ , 2004/05 Charcoal and pastel on paper 80 x 120 cm

William Kentridge

Drawing from ‘Preparing the Flute’ , 2004/05 Charcoal and pastel on paper 50 x 64 cm

William Kentridge

Drawing from ‘Preparing the Flute’, 2004/05 Charcoal and pastel on paper 120 x 160 cm

William Kentridge

Drawing from ‘Preparing the Flute’, 2004/05 Charcoal and pastel on paper 60 x 80cm

William Kentridge

Drawing from ‘Preparing the Flute’, 2004/05 Charcoal and pastel on paper 80 x 123 cm

William Kentridge

Drawing from ‘Preparing the Flute’ , 2004/05 Charcoal and pastel on paper 120 x 160cm

William Kentridge

Drawing from ‘Preparing the Flute’, 2004/05 Charcoal and pastel on paper 106 x 122cm

William Kentridge

Drawing from ‘Preparing the Flute’ (erased birds), 2004/05 Charcoal and pastel on paper 120 x 160cm

William Kentridge

Drawing from "Preparing the Flute" (Temple), 2005 charcoal on paper, collaged 69 x 77 cm F: 88.5 x 100

William Kentridge

Drawing from ‘Preparing the Flute’, 2004/05 Charcoal and pastel on paper 80 x 120 cm

William Kentridge

Drawing from ‘Preparing the Flute’ , 2004/05 Charcoal and pastel on paper 120 x 160 cm

William Kentridge

Drawing from ‘Preparing the Flute’, 2004/05 Charcoal and pastel on paper 80 x 120cm

William Kentridge

Drawing from ‘Preparing the Flute’ , 2004/05 Charcoal and pastel on paper 120 x 160cm

William Kentridge

Drawing from ‘Preparing the Flute’, 2004/05 Charcoal and pastel on paper 80 x 120cm

No 3D loaded yet

William Kentridge at the Goodman Gallery, opening June 4th, 2005

Late April this year sees the Brussels opening of William Kentridge’s interpretation of Mozart’s Die Zauberflöte, a production commissioned by La Monnaie / De Munt in Brussels, which will also travel to several other cities – with luck including Johannesburg.
For his exhibition at the Goodman Gallery in Johannesburg (entitled ‘Preparing the Flute’), opening June 4th, Kentridge brings the Brussels theatre in miniature (the working model used in preparation for the opera) into the gallery. Animated sequences from the full-scale production of The Magic Flute will be projected on screens inside the theatre, in similar fashion to the way they will appear on the real stage.
Alongside this mini-theatre, the exhibition will include many of the working drawings and fragments used in creating animation for The Magic Flute.

William Kentridge has throughout his career moved between film, drawing and theatre. Since participating in Dokumenta X in Kassel in 1997, solo shows of Kentridge’s work have been hosted by the Museum of Modern Art in New York and MCA San Diego, and during 1998 and 1999 a survey exhibition of his work was seen in Brussels, Munich, Barcelona, London, Marseille and Graz. In 1999 he was awarded the Carnegie Medal at the Carnegie International 1999/2000. 2001 saw the launch of a survey show of Kentridge’s in Washington, traveling thereafter to New York, Chicago, Houston, Los Angeles and Cape Town. A shadow oratorio, Confessions of Zeno, was created for Documenta XI in 2002; and in October 2003 Kentridge received the Goslar Kaisserring in recognition of his contribution to contemporary art. January 2004 marked the opening of a new survey exhibition which travels to museums in Turin, Düsseldorf, Sydney, Montreal and Johannesburg. Current projects include a commission for the Berlin Guggenheim, to open in October 2005.

William Kentridge’s show at the Goodman Gallery closes on Saturday 16th July 2005 at 16:00.

William Kentridge

William Kentridge’s work has been seen in museums and galleries around the world since the 1990s, including Documenta in Kassel, Germany (1997, 2003, 2012), the Museum of Modern Art in New York (1998, 2010), the Albertina Museum in Vienna (2010), Jeu de Paume in Paris (2010), and the Musée du Louvre in Paris (2010), where he presented Carnets d’Egypte, a project conceived especially for the Egyptian Room. Kentridge’s production of Mozart’s The Magic Flute was presented at Theatre de la Monnaie in Brussels, Festival d’Aix, and in 2011 at La Scala in Milan, and his production of Shostakovich’s The Nose was seen at The New York Metropolitan Opera in 2010 and again in 2013, travelling to Festival d’Aix and to Lyon in 2011. The five-channel video and sound installation The Refusal of Time was made for Documenta (13) in Kassel, Germany, in 2012; since then it has been seen at MAXXI in Rome, the Metropolitan Museum, New York, and other cities including Boston, Perth, Kyoto, Helsinki and Wellington. A substantial survey exhibition of Kentridge’s work opened in Rio de Janeiro in 2012, going on in following years to Porto Alegre, São Paulo, Bogota, Medellin, and Mexico City. In the summer of 2014 Kentridge’s production of Schubert’s Winterreise opened at the Vienna Festival, Festival d’Aix, and Holland Festival. In the fall it opened at the Lincoln Center in New York. Paper Music, a concert of projections with live music by Philip Miller, opened in Florence in September 2014, and was presented at Carnegie Hall in New York in late October 2014. Both the installation The Refusal of Time and its companion performance piece Refuse the Hour were presented in Cape Town in February 2015. More recently, Kentridge’s production of the Alban Berg opera Wozzeck premiered at the Salzburg Festival in 2017, and last year his acclaimed performance project The Head & The Load opened at Tate Modern in London, and travelled to Park Avenue Armory in December 2018. In June 2019, A Poem That I Used To Know opened at Kunstmuseum, Basel in Switzerland. This comprehensive survey show includes early drawings, major film installations, sculpture and two new pieces, an installation and a film, produced by Kentridge in response to works in the museum’s permanent collection.

In 2010, Kentridge received the prestigious Kyoto Prize in recognition of his contributions in the field of arts and philosophy. In 2011, he was elected as an Honorary Member of the American Academy of Arts and Letters, and received the degree of Doctor of Literature honoris causa from the University of London. In 2012, Kentridge presented the Charles Eliot Norton Lectures at Harvard University and was elected member of the American Philosophical Society and of the American Academy of Arts and Sciences. Also in that year, he was awarded the Dan David Prize by Tel Aviv University, and was named as Commandeur des Arts et Lettres by the French Ministry of Culture and Communication. In 2013, William Kentridge was awarded an Honorary Doctorate in Fine Arts by Yale University and in 2014 received an Honorary Doctorate from the University of Cape Town.

Why Should I Hesitate, a major survey show, divided across the Norval Foundation and Zetiz MOCAA, opened in late August 2019 and will run until July 2020. In addition, Kentridge’s new opera project, Waiting for the Sibyl, premiered at Teatro dell’Opera di Roma in September 2019. Waiting for the Sibyl was created in response to Alexander Calder’s Work in Progress. Most recently, Kentridge’s production of Alban Berg opera Wozzeck ran at the Metropolitan Opera in New York.