Paul Maheke (b.1985, Brive-la-Gaillarde, France) lives and works in Montpellier. Across various forms and artistic disciplines, Maheke has sustained a long-term exploration into the ways that marginalised bodies, narratives and histories are made visible and invisible. Resisting a probing of identity that sits solely within the framework of identity politics, Maheke’s trajectory has continuously been channelled through spectral sensations. The artist has called in ghosts, spirits and non-human beings into his works to invite a re-orientation to the way that we, the audience, are able to perceive; which is to say, to reframe the way that we are able to see, feel and listen.

In reconfiguring the sensible, Maheke seeks to shift the dominant systems of discourse production and understanding that heavily depend on representation, visibility and legibility as the ultimate forms of truth, value and/or power. Instead, the artist nurtures the formation of a self through a state of in-betweenness; one where esoteric, spiritual, queer and embodied knowledge(s) help Maheke garner the potential for prophecy.

His work has been shown in solo presentations at Mostyn, Llandudno, Wales (2024); Kunsthalle Bratislava (2023); High Line Art, New York (2022), The Renaissance Society, Chicago, Illinois (2021); Collection Pinault, Paris, France (2021); Chisenhale Gallery, London, England (2019); Vleeshal Centre for Contemporary Art, Middelburg, Netherlands (2018); and South London Art Gallery, London, England (2016). He has participated in group exhibitions and festivals at institutions including Tate Modern, England (2024); Rudolfinum, Prague (2023); ICA Miami, Florida (2019); Centre Pompidou, Paris, France (2018); and Serpentine Galleries, London, England (2016). He has been featured in major international exhibitions including Biennale du Congo, Democratic Republic of Congo (2022); Glasgow International, Scotland (2021); 58th Venice Biennale, Italy (2019); Performa, New York (2019); Baltic Triennial 13, Estonia (2018); and Manifesta 12, Palermo, Italy (2018).