Goodman Gallery presents recent and site-specific work by Leonardo Drew, an exhibition organised in close collaboration with Galerie Lelong & Co, marking Drew’s first solo show in the UK since 2015.
For this exhibition, the New-York based artist transforms the lower-ground of the gallery with a monumental site-specific installation. This piece, together with other works on view, span recurring motifs in Drew’s oeuvre – an intuitive approach to composition, materiality and the language of abstraction.
Drew is known for creating wall-based abstract sculptural works that play on a tension between order and chaos. The artist typically uses manipulated organic materials to create richly detailed works – seemingly bursting from the walls – which resemble densely populated cities or urban wastelands and evoke the mutability of the natural world. Materials include wood, cardboard, paint, paper, plastic, rope, string and tree trunks. The artist subjects these elements to processes of oxidation, burning and weathering. These labour-intense manipulations mimic natural processes and transform these objects into sculptures that address formal and social concerns as well as the cyclical nature of existence. Drew’s long-standing interest in lifecycles and how human labour leaves traces of life behind is an important aspect of the materiality of the work.
Artworks
About
Leonardo Drew
Leonardo Drew (b. 1961, Tallahassee, Florida) is a New York-based artist who, over three decades, has become known for creating contemplative abstract sculptural works. Drew transforms accumulations of raw materials such as wood, scrap metal and cotton to create works that play upon a tension between order and chaos. His surfaces often approach a language of their own, embodying the laboured process of writing oneself into history.
Drew currently has solo exhibitions in the UK and the US with new site-specific installations at Yorkshire Sculpture Park and the Amon Carter Museum of American Art, respectively. Solo museum exhibitions have been held at the Zuckerman Museum of Art at Kennesaw State University (2022); Mississippi Museum of Art, Jackson (2020); North Carolina Museum of Art, Raleigh (2020); de Young Museum, Fine Arts Museum of San Francisco, California (2017); Palazzo Delle Papesse, Centro Arte Contemporanea, Siena, Italy (2006); and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2000).
Drew’s mid-career survey, Existed, premiered at the Blaffer Gallery at the University of Houston in 2009 and traveled to the Weatherspoon Art Museum in Greensboro, North Carolina, and the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts.
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