Atta Kwami (b. 1956, Accra, Ghana, d. 2021, UK) was a distinguished artist, art historian and curator, living and working between the UK and his home country, Ghana. His colourful works of vibrant geometric patterns are inspired by a wide range of influences, from Ewe and Assante cloth to jazz, the tradition of mural painting and the design of street kiosks along the roads of West-African towns. Kwami is known for expanding the notions of painting, basing his practice both in the visual world of his native Ghana and in reflections on modernism.

Atta Kwami studied, and later taught at the Kwame Nkrumah University of Science and Technology (KNUST). In 2007, Kwami received a PhD in art history, now published as _Kumasi Realism, 1951-2007: An African Modernism, in which he sought to explore past and present influences on West African art, with an emphasis on street art traditions throughout Kumasi, Ghana.

In 2021, the year he died, he was awarded the prestigious Maria Lassnig prize, which recognised later career artists deserving wider career recognition, and, in 2022, The Serpentine unveiled the final public mural commission by Kwami, ‘DzidzƆ kple amenuveve (Joy and Grace)’, which remains on view until September 2024.

This Spring, the Serpentine will publish a monograph about Kwami with Verlag der Buchhandlung Walther und Franz König, Köln supported by The Maria Lassnig Foundation and marking the first publication dedicated to examining the breadth of Kwami’s singular practice.

Kwami’s work is included in major collections around the world, including the National Museums of Ghana and Kenya; the V&A Museum, London; the National Museum of African Art, Washington, DC; The Metropolitan Museum of Art, New York; Brooklyn Museum, Brooklyn, New York.