Diane Victor / One Pound of Flesh / In the Viewing Room

Diane Victor / One Pound of Flesh / In the Viewing Room
19 November - 19 December 2015
Installation View
Diane Victor
Little Battles (Leeches), 2015
Brown ink on cotton rag paper
39 x 49cm
Diane Victor
All in good Faith, 2015
Charcoal, pastel and ash on paper
150 x 128cm
Diane Victor
Shadow Boxer, 2015
Charcoal and dust on paper
Work: 153 x 123 cm Frame: 173 x 149 x 5 cm
Diane Victor
Oh the shark babe..., 2003 / 2015
etching, embossing, stain and ash drawing with charcoal
99.5 x 168.5 cm
Diane Victor
Little Battles (Doctors), 2015
Dry Point Etching
39 x 49cm
Diane Victor
Little Battles (Fashion) , 2015
Dry point Etching
39 x 49cm
Diane Victor
Sowing the Crocodile's Teeth, 2015
charcoal, charcoal dust and acrylic on supawood
175 x 250cm
Diane Victor
Little Battles (Autocrat), 2015
Brown ink on cotton rag paper
39 x 49cm
Diane Victor
Little Battles (Crocodile tears), 2015
Brown ink on cotton rag paper
39 x 49cm
Diane Victor
Little Battle (Hot Air), 2015
Dry point Etching
39 x 49cm
Diane Victor
The parable of the selfie and the self-perpetuating problem, 2015
Charcoal, pastel and ash on paper
100 x 151cm
Diane Victor
People in Glass Houses, 2015
smoke on glass, found window
179.5 x 164.5 x 6.5 cm

Diane Victor / One Pound of Flesh / In the Viewing Room - Installation View

19 November - 19 December 2015

Diane Victor

Little Battles (Leeches)

Diane Victor

All in good Faith

Diane Victor

Shadow Boxer

Diane Victor

Oh the shark babe...

Diane Victor

Little Battles (Doctors)

Diane Victor

Little Battles (Fashion)

Diane Victor

Sowing the Crocodile's Teeth

Diane Victor

Little Battles (Autocrat)

Diane Victor

Little Battles (Crocodile tears)

Diane Victor

Little Battle (Hot Air)

Diane Victor

The parable of the selfie and the self-perpetuating problem

Diane Victor

People in Glass Houses

In her solo exhibition of large and small scale drawings, as well as drawings in mixed media on board and glass, Diane Victor examines the idea that the rewards of life inevitably exact a debt of payment that is harshly insisted upon. Taking a cue from Shakespeare, and from her experience of life-giving surgery, Victor presents a series of drawings that traverse the line between the private and the public, between gratification and expectation; and between the body and the body politic.

Diane Victor

Diane Victor (b. 1964 in Witbank, South Africa) has established herself as a major figure in the South African and International art communities and is renowned for her expert printmaking and draughtsmanship. Victor positions herself within the South African art scene through her bold confrontations with difficult and at times taboo subject matter. Her large scale drawings and etchings demonstrate a command of mark-making, which she uses to render her subjects in affecting detail. At times, her work seems to pose challenges to social and political life in contemporary South Africa, considering issues of corruption, violence and an unequal power distribution.

Having received her BA Fine Arts Degree from the University of the Witwatersrand, with a major in Printmaking, and graduating with distinction – Victor has gone on to win various prestige awards including the Sasol New Signatures Award in 1987. In 1988, Victor became the youngest recipient of the prestigious Volkskas Atelier Award which granted her a ten-month stay at the Cité Internationale des Artes in Paris, France. Over this period, Victor was able to work collaboratively with other experienced printmakers and to observe and reflect on a society very different from her own.

Victor has exhibited at numerous venues around South Africa and internationally, some of which include the UNISA Gallery, Fried Contemporary, MoMA New York, Faulconer Gallery, The Highpoint Center for printmaking, The Gus Fisher Gallery, National Museum of Contemporary Art Oslo, Yale University Art Gallery, The Contemporary Museum Honolulu, and Australia and Adelaide Central Gallery. Victor’s work is part of a number of important collections, including Sasol, Pretoria Art Museum, Johannesburg Art Gallery, Durban Art Museum and Santam.

Since 1990, Victor has been a lecturer, teaching Fine Art, at various South African institutions including the University of Pretoria, Tshwane University of Technology, Open Window Academy, the University of the Witwatersrand, Rhodes University and the University of Johannesburg.

Victor lives and works in Johannesburg, South Africa. At present, she is a senior Fine Art lecturer at the University of Pretoria’s Department of Visual Art.