Jodi Bieber / Quiet / 2014

In April 2014, Jodi Bieber will present her solo exhibition Quiet at Goodman Gallery Johannesburg. The show – which coincides with her major travelling solo exhibition, Between Darkness and Light, at Wits Art Museum – addresses the performance of masculinity through a candid and intimate exploration of the fluidity of male identity. At the core of this project is a confrontation of (traditional) representations of men that valorise toughness, among other attributes, and lock men into gender identities that are complicit with violence. This series of photographs surveys a diversity of male identities that aim to destablise this harmful cycle of validation, which is not inherent, but performed.

Quiet is a portrait series of men in South Africa, in their homes, stripped down to their underwear, sometimes confronting the viewer, in other instances finding comfort or restraint in directing their gaze elsewhere. By way of their setting and disclosure, these are intimate portraits that reveal a vulnerability and calm ultimately countering the public portrayal of the male order as aggressive and forceful. Jackson Katz – American educator, filmmaker, and author – confronts the way in which the media helps to “construct violent masculinity as a cultural norm”. In response to this, Bieber explains, “it is of interest to men, and to society in general, that the normality of violent masculinity be challenged in order to create space for men to see themselves in other ways.” While the series specifically focuses on men in South Africa, Bieber continues, the subject is of universal interest.

Yet this body of work has huge significance in South Africa in particular, which has gained a reputation as one of the most violent countries in the world and where shifting gender norms have become the key initiative in organisations aiming to curtail gender-based violence. And in South Africa, it is not only the media that constructs violent masculinity as a cultural norm. As South African academic Stella Viljoen expounds, “By speaking about our masculinity and that of our partner, president or clan, we are speaking about the relational hegemony at the core of our identity as a nation… Combined with damning statistics, especially on sexual crime and domestic violence, our government’s attitude towards the feminine paints an incriminating portrait of the masculine.” Elaborating on the effects of this condition, in a study done by Mohamed Seedat, Ashley Van Niekerk, Rachel Jewkes, Shahnaaz Suffla and Kopano Ratele on violence in South Africa, they explain that “patterns of violence show that almost all perpetrators are men… The dominant notions of masculinity are predicated on the control of women, and infused with ideas of male sexual entitlement. Physical violence is used to manufacture gender hierarchy (ie, teach women their place) and to enforce this hierarchy through punishment of transgression. Rape is often used as punishment for infidelity, attempts to end a relationship, refusal of sexual advances, or behaviour that is deemed to show insufficient respect for men. In some rapes of infants, the motive is to punish the child’s mother. Likewise, the raping and killing of homosexual women, which is becoming increasingly common, is often enacted as corrective action.”