Subscribe to our newsletter for our must-see exhibitions, artists, events and more here
Shop William Kentridge Prints here

Walter Oltmann / 2007

08 October - 01 November 2008
Goodman Gallery, Johannesburg

The Goodman Gallery is pleased to host a new body of work by Walter Oltmann from 13 August – 3 November 2007. This exhibition of new sculpture and works on paper in various media opens at noon on Saturday 13th, on this day the gallery will have extended hours from 09h30 to 17h00 and closes on 3rd November at 16h00.

Using hand-craft techniques related to weaving, Walter Oltmann creates his often monumental wire sculptures for which he has become well known. Process is still very much at the centre of Oltmann’s wire sculptures as he continues to explore domestic craft techniques, together with material and imagery that seems incongruous or disparate to these activities. This opens up various associations and meanings, and creates allusions to Oltmann’s African roots.

Walter Oltmann has continued fabricating wire sculptures by hand to arrive at hybrid forms suggesting an interface between references to insects and human features. These wire sculptures are based on his previous “Larva Suits”, empty garments not unlike suits of armour. These suits allude to insect larvae/ caterpillars as well as features from early forms of dress associated with Europeans who first arrived on African soil. Oltmann’s sculptures (including a few wire net pieces) and drawings continue to articulate ideas relating to the monstrous and the vulnerable and the unsettling of boundaries between categories.

Artworks

Anodized aluminum an brass wire
118 x 59 x 42 cm
Unavailable
Anodised aluminum and brass wire
225 x 110 x 25 cm
Unavailable
Ink And Bleach On Paper
approx. 35 x 25cm each
Unavailable
Ink And Bleach On Paper
100 x 210 cm
Unavailable
Ink and bleach on paper
29 x 20 cm
Unavailable
Ink and bleach on paper
27 x 20 cm
Unavailable
Anodised aluminium wire and painted aluminium casts
210 x 148 x 50 cm
Unavailable
Ink and bleach on paper
60 x 41 cm
Unavailable
Ink And Bleach On Paper
approx. 35 x 25cm each
Unavailable
Ink And Bleach On Paper
151 x 102 cm
Unavailable
Ink on bleach on paper
60 x 41 cm
Unavailable
Aluminium wire
Work: 84 x 70 x 7 cm
Unavailable
Ink And Bleach On Paper
approx. 35 x 25cm each
Unavailable
Ink And Bleach On Paper
60 x 41cm
Unavailable
Ink And Bleach On Paper
Work: 30 x 21 cm Frame: 45 x 36.5 x 3.5 cm
Unavailable
Ink And Bleach On Paper
approx. 35 x 25cm each
Unavailable
Ink and bleach on paper
60 x 41 cm
Unavailable
Ink and bleach on paper
75 x 55 cm
Unavailable
Ink and bleach on paper
75 x 55 cm
Unavailable
Ink And Bleach On Paper
paper size: 151 x 102cm
Unavailable
Aluminum wire
120 x 110 x 68 cm
Unavailable
Ink and bleach on paper
150 x 100 cm
Unavailable
Ink and bleach on paper
14 x 10 cm
Unavailable
Ink and bleach on paper
14 x 10 cm
Unavailable
Ink and bleach on paper
60 x 41 cm
Unavailable

About

Walter Oltmann image

Walter Oltmann

Walter Oltmann (born 1960, South Africa) is a practicing artist who lives and works in Johannesburg. He obtained a BA Fine Arts degree from the University of Natal, Pietermaritzburg (1981), and an MA Fine Arts degree (1985) and PhD in Fine Arts degree (2017) from the University of the Witwatersrand, Johannesburg. He taught in the Fine arts department at the University of the Witwatersrand from 1989 to 2016.

Oltmann has an extensive record of creative work produced since the early 1980s, including a number of public commissions. Since the 1980s he has developed an interest in the relationship between fine art and craft. In his own practice he employs hand-fabricated processes of making and has researched wire craft traditions in southern Africa. His sculptural works are executed by way of weaving in wire and using handcrafting methods that reference African and Western traditions of weaving. He is deeply interested in the influence of craft traditions in contemporary South African art.

In his artworks Oltmann makes connections to domestic textile practices and explores such forms of making in evoking fragility and the passage of time. He often combines aspects of decorative ornament with subject matter that seems somewhat contradictory or disturbing in relation to handcrafted embellishment.

Download full CV