Working with sound, film, performance, and objects, Kiwanga relies on extensive research to transform information into investigations of historical narratives and their impact on political and social systems.
Kiwanga’s interest in the historical and symbolic affect of materials is demonstrated through an arrangement of steelworks covered in sisal fibre. The golden spun fibre, harvested from the botanical plant Agave sisalana, is typically used for rope and twine. Kiwanga first encountered sisal whilst travelling through rural Tanzania where this flowering plant is a primary export commodity. Fascinated by the fibre’s colour (yellow and gold) as well as the rhythmic rows of the crop, Kiwanga came to learn more about the plant in relation to Tanzania’s political, economic and social history.
“The agave cactus was first brought illegally to Tanzania by German plantation owners who began to develop the crop on a large scale,” Kiwanga explains in an interview from her new book published by Kunsthaus Pasquart, elaborating further; “At the time of Tanzanian independence, plantations that had once been privately owned were nationalised, in an attempt to assure Tanzania would be economically self-sufficient. Sisal was meant to play an economic role in the country becoming an independent socialist state. Ujamaa socialism failed, for many different reasons, but when the price of sisal plummeted on the world markets it contributed to this as it adversely affected prospects of financial resilience.”
