Drawing for City Deep (Soho at Vitrine)

William Kentridge
Drawing for City Deep (Soho at Vitrine), 2018
Charcoal and red pencil on paper
Work: 104.5 x 152 cm

City Deep is the anticipated 11th film in Kentridge’s Drawings for Projection series, a collection of animated films drawn over 30 years,featuring the protagonist Soho Eckstein. South Africa’s political transition from the violent years of apartheid to democracy sets the scene for a saga of loss, love, anger, compassion, guilt and forgiveness. The films revolve around the power-hungry mining magnate Soho Eckstein, his wife Mrs. Eckstein and her lover, the solitary artist Felix Teitlebaum. As the story unfolds, Soho’s empire crumbles as he comes to terms with his own frailties and the first signs of mortality. Like previous films in the series, City Deep is grounded within Kentridge’s home city of Johannesburg and can be viewed as a counterpoint to the 1990 film, Mine, which depicts images of the deep level mining industry. City Deep_extends this depiction to the informal, surface-level “zama zama” miners of current day Johannesburg. Translated from Zulu as ‘try your luck’ or ‘take a chance’, “zama zama” is the name given to the miners who illegally work decommissioned mines on the edges of the formal mining economy. Manual labour replaces large machines, creating open scars in the Highveld landscape. In City Deep, the “zama zama” miners and the landscape merge into artworks hanging in the Johannesburg Art Gallery, itself built during the heyday of gold mining in Johannesburg. Wandering the exhibition spaces is a deeply contemplative Soho gazing at the artworks and into vitrines. Towards the end of the film the gallery collapses in on itself, an imagined demise of an institution in a state of increasing dereliction.