Yinka Shonibare CBE Planets in my Head, Young Photographer, 2019 Costumed figure sculpture , camera and tripod Work: 134 x 114 x 75 cm
Over the past decade, Shonibare has become well known for his exploration of colonialism and post-colonialism within the context of globalization. Working in painting, sculpture, photography, film and installation, Shonibare’s work examines race, class and the construction of cultural identity through a sharp political commentary of the tangled interrelationship between Africa and Europe and their respective economic and political histories. Shonibare uses wry citations of Western art history and literature to question the validity of contemporary cultural and national identities
Planets in My Head is a series of sculptures set against the current context of global anxiety about the planet. The sculptures all incorporate a globe-like form in the position of a head, which ties into the idea of breaking with traditional and established Western canons of knowledge. This concept is illustrated using the figure of children in the sculptures, who all bear Western tools which subvert our ideas around a European understanding of the world. These figures have seemingly departed Earth, entering other galaxies where they may resist the formalisation of knowledge that the West has set up. In turn, the sculptures re-imagine our dominant bodies of knowledge to create a new globalised perspective.