Goodman Gallery Johannesburg 1 October – 12 November
The making of each film was the discovery of what each film was. A first image, phrase, or idea would justify itself in the unfolding of images, phrases, and ideas spawned by the work as it progressed. The imperfect erasures of the successive stages of each drawing become a record of the progress of an idea and a record of the passage of time. The smudges of erasure thicken time in the film, but they also serve as a record of the days and months spent making the film – a record of thinking in slow motion.
- William Kentridge
William Kentridge (b.1955, South Africa) is internationally acclaimed for his drawings, films, theatre and opera productions.
Kentridge’s work is held in collections including MoMA, New York; Tate Modern, London; Centre Pompidou, Paris; Haus der Kunst, Munich; Sharjah Art Foundation, Sharjah; National Museum of Modern Art, Kyoto; Guggenheim, Abu Dhabi and Zeitz MoCAA, Cape Town.
Kentridge’s largest UK survey to date was held at the Royal Academy of Arts in London in 2022. In the same year Kentridge opened another major survey exhibition, In Praise of Shadows, at The Broad, Los Angeles. In 2023 this exhibition travelled to the Museum of Fine Arts, Houston.
Kentridge’s work has been seen in museums across the globe since the 1990s, including the Museum of Modern Art, New York; Albertina Museum, Vienna: Musée du Louvre in Paris, National Museum of Modern and Contemporary Art, Korea; Reina Sofia museum, Madrid, Kunstmuseum in Basel; and Norval Foundation in Cape Town. The artist has also participated in biennale’s including Documenta in Kassel (2012, 2002,1997) and the Venice Biennale (2015, 2013, 2005, 1999, 1993).
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