Spring Show / 2012
10 November - 07 December 2012
Installation View
Kudzanai Chiurai
Iyeza, 2011
Blu-ray DVD, Edition of 5 + 1 AP
11'
Gerhard Marx
Lungs, 2012
Plant material and tissue paper on acrylic and glue ground with cotton canvas board
50 x 50 cm
Gerhard Marx
Lungs (Mother and Child), 2012
Plant material and tissue paper on acrylic and glue ground with cotton canvas board
50 x 50 cm
Walter Oltmann
Caterpillar Bristle Suit III, 2011
Aluminium wire
98 x 110 x 60cm
Brett Murray
The Department of Higher Education on the March, 2012
Plastic, wood and paint
155 x 177 x 4 cm

Peace Process, 2011
Oil on canvas
Work: 100 x 120 cm
Sam Nhlengethwa & Marguerite Stephens
The Nightshift, 2011
Woven mohair tapestry
243 x 340 cm
Broomberg & Chanarin
The Day Nobody Died V, June 10 2008, 2008
C-print, Mounted on Aluminum
76.2 x 600 cm
Broomberg & Chanarin
The Press Conference, June 9 (from: The day nobody died) SOLD, 2010
C-print, Mounted on Aluminum, & digital film (Ed. of 12, duration 23 mins)
76, 2 x 600 cm
Clive van den Berg
Hand, 2012
Oil on canvas
Work: 180 x 140 x 5 cm
Stuart Bird
All Fucked Up, 2012
Imbuia wood on Shattered Mirror
36 x 65 x 10 cm
Kendell Geers
Bladerunner XIV, 2012
Mild steel and razor mesh
120 x 51 x 51cm

PC, 2007/9
2 wooden sculptures, magnifying glass, postcard, and stands
Variable Dimensions: 40 x 25 x 25 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 5 (0643), 2012
Inkjet prints
22 x 32cm
Mikhael Subotzky
Moses and Griffiths, Film Still 3 (0641), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 4 (0642), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 23 (0661), 2012
Inkjet Print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 15 (0653), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 22 (0660), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 26 (0664), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 14 (0652), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 12 (0650), 2012
Inkjet print
22 x 32cm
Mikhael Subotzky
Moses and Griffiths, Film Still 21 (0659), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 25 (0663), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 11 (0649), 2012
Inkjet print
22 x 32cm
Mikhael Subotzky
Moses and Griffiths, Film Still 20 (0658), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 30 (0668), 2012
Inkjet Print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 18 (0656), 2012
Inkjet Print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 19 (0657), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 13 (0651), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 27 (0665), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 9 (0647), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 6 (0644), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 24 (0662), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 17 (0655), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 16 (0654), 2012
Inkjet print
Work: 22 x 33 cm
Mikhael Subotzky
Moses and Griffiths, Film Still 8 (0646), 2012
Inkjet print
22 x 32cm
Mikhael Subotzky
29 (0667)Moses and Griffiths, Film Still , 2012
Inkjet print
Work: 22 x 33 cm
Sue Williamson
Other Voices: It's a mistake to ask for advice, Napoli, 2012
Pigment inks on cotton rag
100 x 1096 cm
Moshekwa Langa
Two People, 2002
Mixed media on paper
122 x 86 cm
Clive van den Berg
Man Loses History VI, 2012
Oil on Canvas
Work: 200 x 150 x 5 cm
Sam Nhlengethwa
Senegalese, 2012
Oil and collage on canvas
Work: 90 x 120 x 8 cm
Sam Nhlengethwa
...On the Red Brick Wall, 2012
Acrylic, oil and charcoal on paper
50 x 70 cm
Sam Nhlengethwa
... Against the Bricks and Tar, 2012
Acrylic, oil and charcoal on paper
70 x 50 cm
Brett Murray
Populists Just Love a Fancy Dress Party (triptych), 2012
Plastic, wood and paint
3 elements, 78 x 78 x 4 cm each
Stuart Bird
Writing on the Wall: ItsALongWayBackFromHell, 2012
Inbuia Wood and Shattered Mirror
40 x 90 x 6.5 cm

Spring Show / 2012 - Installation View

10 November - 07 December 2012

Kudzanai Chiurai

Iyeza

Gerhard Marx

Lungs

Gerhard Marx

Lungs (Mother and Child)

Walter Oltmann

Caterpillar Bristle Suit III

Brett Murray

The Department of Higher Education on the March

Peace Process

Sam Nhlengethwa & Marguerite Stephens

The Nightshift

Broomberg & Chanarin

The Day Nobody Died V, June 10 2008

Broomberg & Chanarin

The Press Conference, June 9 (from: The day nobody died) SOLD

Clive van den Berg

Hand

Stuart Bird

All Fucked Up

Kendell Geers

Bladerunner XIV

PC

Mikhael Subotzky

Moses and Griffiths, Film Still 5 (0643)

Mikhael Subotzky

Moses and Griffiths, Film Still 3 (0641)

Mikhael Subotzky

Moses and Griffiths, Film Still 4 (0642)

Mikhael Subotzky

Moses and Griffiths, Film Still 23 (0661)

Mikhael Subotzky

Moses and Griffiths, Film Still 15 (0653)

Mikhael Subotzky

Moses and Griffiths, Film Still 22 (0660)

Mikhael Subotzky

Moses and Griffiths, Film Still 26 (0664)

Mikhael Subotzky

Moses and Griffiths, Film Still 14 (0652)

Mikhael Subotzky

Moses and Griffiths, Film Still 12 (0650)

Mikhael Subotzky

Moses and Griffiths, Film Still 21 (0659)

Mikhael Subotzky

Moses and Griffiths, Film Still 25 (0663)

Mikhael Subotzky

Moses and Griffiths, Film Still 11 (0649)

Mikhael Subotzky

Moses and Griffiths, Film Still 20 (0658)

Mikhael Subotzky

Moses and Griffiths, Film Still 30 (0668)

Mikhael Subotzky

Moses and Griffiths, Film Still 18 (0656)

Mikhael Subotzky

Moses and Griffiths, Film Still 19 (0657)

Mikhael Subotzky

Moses and Griffiths, Film Still 13 (0651)

Mikhael Subotzky

Moses and Griffiths, Film Still 27 (0665)

Mikhael Subotzky

Moses and Griffiths, Film Still 9 (0647)

Mikhael Subotzky

Moses and Griffiths, Film Still 6 (0644)

Mikhael Subotzky

Moses and Griffiths, Film Still 24 (0662)

Mikhael Subotzky

Moses and Griffiths, Film Still 17 (0655)

Mikhael Subotzky

Moses and Griffiths, Film Still 16 (0654)

Mikhael Subotzky

Moses and Griffiths, Film Still 8 (0646)

Mikhael Subotzky

29 (0667)Moses and Griffiths, Film Still

Sue Williamson

Other Voices: It's a mistake to ask for advice, Napoli

Moshekwa Langa

Two People

Clive van den Berg

Man Loses History VI

Sam Nhlengethwa

Senegalese

Sam Nhlengethwa

...On the Red Brick Wall

Sam Nhlengethwa

... Against the Bricks and Tar

Brett Murray

Populists Just Love a Fancy Dress Party (triptych)

Stuart Bird

Writing on the Wall: ItsALongWayBackFromHell

Kendell Geers

South African-born, Belgian artist Kendell Geers changed his date of birth to May 1968 in order to give birth to himself as a work of art. Describing himself as an ‘AniMystikAKtivist’, Geers takes a syncretic approach to art that weaves together diverse Afro-European traditions, including animism, alchemy, mysticism, ritual and a socio-political activism laced with black humour, irony and cultural contradiction.

Geers’s work has been shown in numerous international group exhibitions, including the Venice Biennale (2007) and Documenta (2002). Major solo shows include Heart of Darkness at Iziko South African National Gallery in Cape Town (1993), Third World Disorder at Goodman Gallery Cape Town (2010) and more recently Songs of Innocence and of Experience at Goodman Gallery Johannesburg (2012). His exhibition Irrespektiv travelled to Newcastle, Ghent, Salamanca and Lyon between 2007 and 2009. Geers was included on Art Unlimited at Art 42 Basel in 2011. Work by Geers was included on Manifesta 9 in Genk, Limburg, Belgium and a major survey show of his work was exhibited at Haus der Kunst, Munich, Germany in 2013. Earlier this year Geers held a solo exhibition, The Second Coming (Do What Thou Wilt), at Rua Red in Dublin.

Clive van den Berg

Clive van den Berg is an artist, curator, designer, writer and teacher, who lives and works in Johannesburg, South Africa.

As a designer, van den Berg has worked both alone and with some of the nation’s top architects and civic planners to create unique buildings and public spaces in post apartheid South Africa. Combining museum design, curatorial practice and environmental art, Clive van den Berg has worked to produce a distinctly South African aesthetic for numerous public spaces, which is both sensitive to local traditions and creative of new possibilities.

Among his major projects are Freedom Park, the Northern Cape Legislature buildings, the museums at Constitution Hill, and several major Mandela Foundation exhibitions.

As a visual artist he is interested in both formal beauty and conceptual depth. His extensive body of work ranges in size and format, and includes paintings, prints, multi-media sculpture, landscape installation, and videography. His art is both known and respected Internationally, being included in many public and private collections, and his work has garnered him several major awards and prizes.

Claire Gavronsky

(b. 1957, Johannesburg)

Claire Gavronsky works in a variety of mediums, most notably in painting and sculpture. Her work often uses visual reference’s to historical paintings, and cues are sometimes taken from events from everyday life. Memory, racism, violence against women and children are some of the theme’s which run through her oeuvre. Her work also bridge’s sometimes complex narratives through overlaid images, and stories which link the past to the present.

In 1981 Gavronsky received a Master of Fine Art in painting, and she moved to Italy in 1985 and has since lived between Cape Town and Tuscany.

In Florence, Gavronsky established, with fellow artist Rosemarie Shakinovsky, an international artist’s residency workshop in Tuscany. After the success of these workshops they founded workshops in Cape Town, Johannesburg, Venda and Botswana. Gavronsky and Shakinovsky often collaborate under the name Rosenclaire. They also collaborate on occasion with William Kentridge. She has exhibited extensively in South Africa, Europe and the United States of America.

Brett Murray

Brett Murray studied at the University of Cape Town where he was awarded his Master’s of Fine Arts degree in 1988 with distinction. The title of his dissertation is ‘A Group of Satirical Sculptures Examining Social and Political Paradoxes in the South African Context’. As an undergraduate he won Irma Stern Scholarships in both 1981 and 1982. He won the Simon Garson Prize for the most Promising student in 1982 and was awarded the Michaelis Prize in 1983. As a postgraduate student he received a Human Sciences Research Council bursary, a University of Cape Town Research Scholarship, the Jules Kramer Grant and an Irma Stern Scholarship.

He has exhibited extensively in South Africa and abroad. From 1991 to 1994 he established the sculpture department at the University of Stellenbosch, where he curated the show ‘Thirty Sculptors from the Western Cape’ in 1992. In 1995 he curated, with Kevin Brand, ‘Scurvy’, at the Castle of Good Hope in Cape Town. That year he co-curated ‘Junge Kunst Aus Zud Afrika’ for the Hänel Gallery in Frankfurt, Germany.

In 1999, Brett co-founded, with artists and cultural practitioners Lisa Brice, Kevin Brand, Bruce Gordon, Andrew Putter, Sue Williamson, Robert Weinek and Lizza Littlewort, ‘Public Eye’, a Section 27 company that manage and initiate art projects in the public arena with the aims to develop a greater profile for public art in Cape Town. They have initiated projects on Robben Island, worked with the cities health officials on aids awareness campaigns and initiated outdoor sculpture projects including ‘The Spier Sculpture Biennale’. He curated ‘Homeport’ in 2001 which saw 15 artists create site specific text based works in Cape Town’s waterfront precinct. Public Eye have interfaced with cultural funding bodies as consultants and hosted multi-media events across the city.

Murray was included on the Cuban Biennial of 1994, and subsequently his works where exhibited at the Ludwig Museum of Contemporary Art in Germany. He was included on the group show, ‘Springtime in Chile’ at the Museum of Contemporary Art in Santiago, Chile. He was also part of the travelling show ‘Liberated Voices, Contemporary Art From South Africa’ which opened at the Museum for African Art in New York in 1998. His work formed part of the shows ‘Min(d)fields’ at the Kunsthaus in Baselland, Switzerland in 2004 and ‘The Geopolitics of Animation‘ at the Centro Andaluz de Arte Contemporaneo in Seville in Spain in 2007. He won the Cape Town Urban Art competition in 1998 that resulted in the public work ‘Africa’, a 3.5 metre bronze sculpture, being erected in Cape Town’s city centre. He won, with Stefaans Samcuia, the commission to produce an 8 × 30 meter wall sculpture for the foyer of the Cape Town International Convention Centre in 2003. In 2007 he completed ‘Specimens’, a large wall sculpture for the University Of Cape Town’s medical school campus. In 2011 he produced the public artwork ‘Seeds’ for The University of Bloemfontein and in 2013 he was commissioned to produce the 7 meter bronze ‘Citizen’ for the Auto & General Park in Johannesburg.

His solo shows include: ‘White Boy Sings the Blues’ at the Rembrandt Gallery in Johannesburg in 1996, ‘I love Africa’ at the Bell-Roberts Gallery in Cape Town in 2000, ‘Us and Them’ at the Axis Gallery in New York in 2003 and ‘Sleep Sleep’ at the Goodman Gallery in Johannesburg in 2006. His solo show, ‘Crocodile Tears’, was held at both the Cape Town and Johannesburg branches of The Goodman Gallery in 2007 and 2009. His recent show, ‘Hail To The Thief’, was first held at the Goodman Gallery in Cape Town in 2010, and then at the Goodman Gallery in Johannesburg in 2012. He was nominated as the Standard Bank Young Artist of the year in 2002.

Sue Williamson

Sue Williamson (b. 1941, Lichfield, UK) emigrated with her family to South Africa in 1948. Trained as a printmaker, Williamson also works in installation, photography and video. In the 1970s, she started to make work which addressed social change during apartheid and by the 1980s Williamson was well known for her series of portraits of women involved in the country’s political struggle. A Few South Africans is one such a series where she celebrates women who had played roles in the fight for freedom.

Referring to her practice, Williamson states: “You become aware of the audience to whom you speak. In that sense, you think backwards: what you have to say, whom you say it to, and how it will reach the audience. Having to consider your work through the eyes of somebody who knows nothing about you as an artist and what you are doing is a useful exercise.” Williamson has managed to avoid the rut of being caught in an apartheid-era aesthetic, “I am never particularly interested in doing what I did the last time. I take one thing and work it out a number of ways.”

In 2018, Williamson was Goodman Gallery’s featured artist at the FNB Joburg Art Fair, where she exhibited her work Messages from the Atlantic Passage, a large-scale installation of shackled, suspended glass bottles engraved with profiles of 19th-century victims of slavery. This installation was also exhibited that year at Art Basel in Switzerland and at the Kochi-Muziris Biennale in India.

Williamson’s works feature in numerous public collections across the globe, including those at the Museum of Modern Art, New York, USA, Tate Modern, London, UK, Victoria & Albert Museum, London, UK, National Museum of African Art, Smithsonian Institution, Washington D.C., USA, Wifredo Lam Centre, Havana, Cuba, Iziko South African National Gallery, Cape Town, South Africa, and Johannesburg Art Gallery, South Africa.

Williamson has received various awards and fellowships such as the Bellagio Creative Arts Fellowship 2011, Italy, Rockefeller Foundation, the Visual Artist Research Award Fellowship 2007, Smithsonian Institution, Washington D.C., USA and the Lucas Artists Residency Fellowship 2005, Montalvo Art Center, California, USA.

Sue Williamson lives and works in Cape Town, South Africa.

Broomberg & Chanarin

Adam Broomberg (born 1970, Johannesburg, South Africa) and Oliver Chanarin (born 1971, London, UK) are artists living and working between London and Berlin. They are professors of photography at the Hochschule für bildende Künste (HFBK) in Hamburg and teach on the MA Photography & Society programme at The Royal Academy of Art (KABK), The Hague which they co-designed. Together they have had numerous solo exhibitions most recently at The Centre Georges Pompidou (2018) and the Hasselblad Center (2017). Their participation in international group shows include the Yokohama Trienniale (2017), Documenta, Kassel (2017), The British Art Show 8 (2015-2017), Conflict, Time, Photography at Tate Modern (2015); Shanghai Biennale (2014); Museum of Modern Art, New York (2014); Tate Britain (2014), and the Gwanju Biennale (2012). Their work is held in major public and private collections including Pompidou, Tate, MoMA, Yale, Stedelijk, V&A, the Art Gallery of Ontario, Cleveland Museum of Art, and Baltimore Museum of Art. Major awards include the ICP Infinity Award (2014) for Holy Bible, and the Deutsche Börse Photography Prize (2013) for War Primer 2. Broomberg and Chanarin are the winners of the Arles Photo Text Award 2018 for their paper back edition of War Primer 2, published by MACK.

Gerhard Marx

Gerhard Marx (b. South Africa, 1976) develops his projects through an engagement with pre-existent conventions and practices. This process entails careful acts of dissection and rearrangement, which allow Marx to engage the poetic potential and philosophical assumptions of his chosen material, developing original drawing, sculptural and performative languages. Marx completed his undergraduate degree at the Michaelis School of Fine Art, UCT and received his MA (Fine Art) (Cum Laude) from Wits School of Art, Johannesburg.

Ecstatic Archive is Marx’s sixth solo project with the Goodman Gallery. Marx’s work is shown regularly at international art fairs, held in numerous public and private art collections and was included on the South African pavilion at the 2013 Venice Biennale. Marx has been involved in the making of numerous public sculptures, including The World On Its Hind Legs, a collaboration with William Kentridge (Beverley Hills, LA), Vertical Aerial: JHB, (the Old Ford, Constitution Hill, Johannesburg), The Fire Walker, in collaboration with William Kentridge (Queen Elizabeth Bridge, Johannesburg) and Paper Pigeon, in collaboration with Maja Marx (Pigeon Square, Johannesburg). In 2018 Marx participated in the third season at the Centre for the Less Good Idea with his project Vehicle, in collaboration with musicians Shane Cooper and Kyle Shepherd. Vehicle is scheduled to form part of the Holland Festival in June 2019.
He has extensive experience in theatre, as a scenographer, director, filmmaker and playmaker, including REwind: A Cantata for Voice, Tape and Testimony (directed by Marx, interactive film by Gerhard Marx and Maja Marx, composed by Philip Miller), performed at the Royal Festival Hall, Southbank, London (2010), the Market Theatre, Johannesburg (2008) and the 62’Centre, William College, Massachusetts (2007).

Marx is a fellow of the Sundance Film Institute, the Annenberg Fund and of the Ampersand Foundation.

Rose Shakinovsky

Born in Johannesburg, South Africa in 1953. Lives and works in Florence, Italy
Rose Shakinovsky’s work defies any stylistic category as it consists of work that ranges from the re-presentation and decontextualization of found objects, found images and found situations, to delicately painted abstractions and ironic bronzes. The work concerns itself with current political and social discourses while simultaneously referencing and reconstructing art historical edifices. Shakinovsky is interested in the structure as well as the morphology of all seemingly coherent visual and nonvisual languages from the prelinguistic to the post-linquistic and the digital. Her present research is concerned with discourses pertaining to the Posthuman, Postanthropos, Transhuman, Migration and the consequences of Climate Change.

Rose Shakinovsky and Claire Gavronsky collaborate as the artist “rosenclaire”, as wives and as dedicated mentors who have run a renowned artists residency program in Tuscany for the past 30 years.

Shakinovsky has over the past decade given contemporary art history courses to collectors, philanthropists and business leaders hoping to inspire them to contribute to fostering the arts in their respective countries.

Mikhael Subotzky

Mikhael Subotzky (b. 1981, Cape Town) is a Johannesburg based artist whose works in multiple mediums (including film installation, video, photography, collage and painting) attempt to engage critically with the instability of images and the politics of representation. Subotzky has exhibited in a series of important international exhibitions, including most recently Inheritance: Recent Video Art from Africa at the Fowler Museum (UCLA) in Los Angeles (2019) and Ex Africa in various venues in Brazil (2017-18). His award-winning Ponte City project (co-authored with Patrick Waterhouse) was presented at Art Basel Unlimited in 2018. The full exhibition and archive of this project has since been acquired by the San Francisco Museum of Modern Art and will be the subject of a monographic exhibition there in the fall of 2020.

Subotzky’s work is collected widely by international institutions, including the Museum of Modern Art (New York), Solomon R Guggenheim Museum (New York), the National Gallery of Art (Washington), Tate (London), Centre Pompidou (Paris), and the South African National Gallery, among others.

Subotzky’s work was included in the Lubumbashi (2013) and Liverpool (2012) biennials. Pixel Interface, a multi-component video installation, was included in All The World’s Futures, curated by Okwui Enwezor at the 56th Venice Biennale (2015).

Sam Nhlengethwa

Sam Nhlengethwa was born in the mining community of Payneville Springs in 1955 and grew up in Ratanda location in Heidelberg, east of Johannesburg. He completed a two-year Fine Art Diploma at the Rorkes Drift Art Centre in the late 1970s. While he exhibited extensively both locally and abroad during the 1980s and ’90s, Nhlengethwa’s travelling solo show South Africa, Yesterday, Today and Tomorrow in 1993 established him at the vanguard of critical consciousness in South Africa and he went on to win the Standard Bank Young Artist Award in 1994.

Nhlengethwa was born into a family of jazz lovers; his two brothers both collected jazz music and his deceased eldest brother was a jazz musician. “Painting jazz pieces is an avenue or outlet for expressing my love for the music,” he once said in an interview. "As I paint, I listen to jazz and visualise the performance. Jazz performers improvise within the conventions of their chosen styles. In an ensemble, for example, there are vocal styles that include freedom of vocal colour, call-and-response patterns and rhythmic complexities played by different members. Painting jazz allows me to literally put colour onto these vocal colours.

“Jazz is rhythmic and it emphasises interpretation rather than composition. There are deliberate tonal distortions that contribute to its uniqueness. My jazz collages, with their distorted patterns, attempt to communicate all of this. As a collagist and painter, fortunately, the technique allows me this freedom of expression… What I am doing is not new though, as there are other artists before me who painted jazz pieces. For example, Gerard Sekoto, Romare Bearden and Henri Matisse.”

Nhlengethwa’s work has been included in key exhibitions such as Seven Stories About Modern Art in Africa at the Whitechapel Gallery in London and major publications such as Phaidon’s The 20th Century Art Book. He has had several solo shows in South Africa and abroad, exhibiting in the 12th International Cairo Biennale (2010) and in Constructions: Contemporary Art from South Africa at Museu de Arte Contemporanea de Niteroi (2011) in Brazil. In 2018 Nhlengethwa was included on the group exhibition Beyond Borders: Global Africa at the University of Michigan Museum of Art.

Walter Oltmann

Born in 1960 in Rustenburg, Gauteng, South Africa, Walter Oltmann’s main area of focus is sculpture, and more particularly in fabricating woven wire forms, which sometimes reference local craft traditions. He has researched and written on the use of wire in African material culture in this region and is deeply interested in the influence of these traditions in contemporary South African art. He has had numerous solo exhibitions with the Goodman Gallery, and has created several large-scale commissions for venues such as the Zeitz Sculpture Garden in Segera, Kenya.

Kudzanai Chiurai

Kudzanai Chiurai (b. 1981) is an internationally acclaimed young artist born in Zimbabwe. Born one year after Zimbabwe’s emergence from white-ruled Rhodesia, Chiurai’s early work has focused on the political, economic and social strife in his homeland however, his art practice spans a diverse range of media.

From large mixed media works and paintings that tackle some of the most pertinent issues facing Southern Africa such as xenophobia, displacement and black empowerment, Chiurai’s artworks confront viewers with the psychological and physical experience of inner-city environments of African metropolitans, seeing these spaces as the continent’s most cosmopolitan melting pots in which thousands of refugees and asylum-seekers who battle for survival alongside the never-ending swell of newly urbanized denizens. As an increasingly important figure in contemporary African art, Chiurai has expanded his art and activist practice to include photography and video: mediums that enable the artist to address pertinent issues facing his generation of southern Africans.

Chiurai has held numerous solo exhibitions since 2003 and has participated in various local and international exhibitions, such as ‘Figures & Fictions: Contemporary South African Photography’ (2011) at the Victoria and Albert Museum in London and ‘Impressions from South Africa, 1965 to Now’ (2011) at the Museum of Modern Art in New York. Other notable exhibitions include ‘The Divine Comedy: Heaven, Purgatory and Hell Revisited’ curated by Simon Njami at Museum für Moderne Kunst in Frankfurt (2014) and SCAD Museum of Art, Savannah USA (2015), as well as ‘Art/Afrique, Le nouvel atelier’ (2017) at the Fondation Louis Vuitton in Paris and ‘Regarding the Ease of Others’ (2017) at the Zeitz Museum of Contemporary Art Africa.

His Conflict Resolution series was exhibited at dOCUMENTA (13) (2012) in Kassel and the film Iyeza was one of the few African films to be included in the New Frontier shorts programme at the Sundance Film Festival in 2013. Chiurai has held numerous solo exhibitions with Goodman Gallery and has edited four publications with contributions by leading African creatives.

At present, the artist lives and works in Harare, Zimbabwe.