Selected Works

Minnette Vári
Vault Series (Equinox West) , 2010
Archival pigment ink on cotton rag paper
77x 58 cm
Minnette Vári
Monomotapa II, 2007
Digital Print In Pigment Inks On 100% Cotton Rag Paper
78 x 110cm
Minnette Vári
The Falls I, 2008
Pigment Print On Cotton Fibre Paper
80 x 80cm (image size)
Minnette Vári
The Falls I, 2008
Pigment Print On Cotton Fibre Paper
80 x 80cm (image size)
Minnette Vári
Quake, 2007
Single channel video

Minnette Vári
Quake, 2007
Single channel video

Minnette Vári
Quake, 2007
Single channel video

Minnette Vári
Quake, 2007
Single channel video

Minnette Vári
Alien (Remastered) III , 2011
Ink on paper
Work: 55 x 75 cm Frame: 70.5 x 90 x 3 cm
Minnette Vári
Sentinel II (Large), 2002
Lambda print on aluminium
91.5 x 300 cm
Minnette Vári
Treasure (lost), 2013
Archival pigment ink on cotton fibre paper
1000 X 637.5 mm
Minnette Vári
Deluge, 2013
Oil on canvas
Work: 50.5 x 61 x 2 cm
Minnette Vári
Rebus, 2008
Two-Channel digital Video Installation

Minnette Vári
REM print series: The Hierophant, 2014
Diasec-mounted digital print
143.7 x 93.8 cm
Minnette Vári
REM print series: The High Priestess, 2014
Diasec-mounted digital print
143.7 x 93.8 cm
Minnette Vári
Oracle, 1999


Minnette Vári
The Eleventh Hour , 2017
two-channel video installation with stereo audio

Minnette Vári
The Eleventh Hour, book III, 2017
7 monotypes, 4 texts - 11 pages bound in linen cover with title sheet and end papers
24 x 61 x 1.2 cm
Minnette Vári
The Eleventh Hour, book III, 2017
7 monotypes, 4 texts - 11 pages bound in linen cover with title sheet and end papers
24 x 61 x 1.2 cm

Biography

website

Minnette Vári’s (b.1968 in Pretoria, South Africa) body of work conflates history with the self, examining how identity arises out of a traumatic past. As Kendell Geers observes in a catalogue essay published in 2004 by Kunstmuseum Lucerne, ‘Minnette Vári has in her lifetime witnessed the fall of apartheid and all its structures, followed by the new democracy.’ In response to this history, Vári has written a history of herself in relation to this trajectory, one that attempts to recover what is lost, to give shape and voice to forgotten or erased memories. In her videos and drawings, Vári frequently depicts her own body enduring a disfiguring metamorphosis – she merges with and emerges from nature as well as from the concrete architecture of modern cities. The female ‘protagonist’ of her video works is sometimes archetypal and sometimes spectral, a persona who ingests and is ingested by time.

Vári has exhibited her work since the early nineties, participating in such group exhibitions as the Johannesburg Biennale, Memoris, Intimas, Marcas at MUHKA in Belgium, the Venice Biennale, the Seoul International Media Art Biennale, and the Havana Biennale. Her solo exhibitions include Aurora Australis at the Standard Bank Gallery, Johannesburg, Chimera at Art Unlimited, Basel, Vigil at Serge Ziegler Galerie, New York, and shows in 2008, 2009, 2010 and 2013 at Goodman Gallery, Johannesburg.

In early 2016, The Standard Bank Gallery hosted a major retrospective exhibition on Vári, entitled Of Darkness and of Light.

Vári currently lives and works in Johannesburg.